The Criterion Collection
Aug 14, 2018 — Reimagining the story of a Mexican American folk hero, this revisionist western ushered in a new era in both Chicano and independent filmmaking.
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
Visual Analysis
May 23, 2018 — In some of his most elaborately choreographed set pieces, the silent-comedy master confronted the chaos of the world with balletic grace and rhythmic precision.
The Daily
Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...
On the Channel
Sep 21, 2017 — The leading scorer in NBA history talks with us about how cinema first led him to his basketball career and how he drew inspiration from samurai movies.
Features
May 31, 2017 — Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
On the Channel
Feb 23, 2017 — Few writers have dissected their own coming-of-age with as much unflinching honesty as award-winning author Mary Karr, whose best-selling books include The Liar’s Club and Lit: A Memoir. For the latest installment in our original series Adventures in Moviegoing, now...
Short Takes
Oct 20, 2016 — On the ninety-ninth anniversary of Jean-Pierre Melville’s birth, we’ve gathered a selection of essays, photos, and videos that showcase the best of the iconic director’s varied oeuvre.
May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.