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About Last Night

Mar 3, 2020 American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...

Feb 27, 2020 Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.

Feb 14, 2020 One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...

Sep 27, 2019 Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...

Jul 26, 2019 Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.

Tours and Sighs

The Daily

Jun 7, 2019 This week we revisit the work of Pawel Pawlikowski, Carlos Reygadas, Robert Mitchum, Hal Hartley, and Elaine May.

Feb 26, 2019 He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.

Feb 21, 2019 The Film Society of Lincoln Center’s series Neighboring Scenes spotlights promising new talents.

Jan 8, 2019 A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Dec 18, 2018 Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...

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