The Criterion Collection
Short Takes
Aug 24, 2015 — As part of a wide-ranging new interview for New York magazine, über-cinephile and genre master Quentin Tarantino reflects thoughtfully on the western’s mutable qualities and how it has always revealed something about its times: “The westerns of the ’50s reflected...
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
In Theaters
Jul 30, 2015 — Repertory PicksTonight, the Pacific Film Archive in Berkeley is welcoming the great Spanish director Víctor Erice (The Spirit of the Beehive, El sur), to talk about his career with film scholar Richard Peña. In addition to screening all of Erice’s...
Production Notes
Jul 27, 2015 — 1. My Beautiful Laundrette launched a number of careers: that of writer Hanif Kureishi, soon to be regarded as one of the most important voices of his generation; those of producers Tim Bevan and Sarah Radclyffe, whose then fledgling company, Working...
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.
Sneak Peeks
Jun 2, 2015 — Having made such urgent, ripped-from-the-headlines, international dramas as Z, The Confession, State of Siege, and Missing, it stands to reason that the Greek director Costa-Gavras is often referred to as a political filmmaker. But in this excerpt from a wide-ranging...
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.
May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.