Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

May 23, 2024 At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.

May 14, 2024 Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

Apr 10, 2024 Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Apr 3, 2024 This year’s edition is bookended by two very New York movies.

May 22, 2023 Blending a tragic love story and a terrifying, slow-motion genocide, Killers has premiered out of competition in Cannes.

Apr 13, 2023 Combining elements of soft-core porn and film noir, one of the most popular Hollywood genres of the 1980s and ’90s captured the fraught aspirationalism and sexual mores of the era.

Nov 23, 2022 In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Oct 11, 2022 Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.

Alain Resnais 100

The Daily

Aug 11, 2022 New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.

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