The Right Stuff

Jan 18, 2010 — Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....

Apr 26, 1999 — At some point in their lives, probably every sleepless person has switched on the TV in the wee hours of a weekend morning and chanced upon a fishing show. Invariably, a beefy, half-forgotten retired athlete shares a boat with some...

Oct 18, 1998 — 1986 was not a good time to make a film which attempted to capture the Punk spirit. Deep into second-term Reagan/Thatcher, American and British pop culture were infected with cynicism, hopelessness, immobility. So when Alex Cox came over with his...

Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.

Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.

Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...

Sep 16, 2026 — You may think you already know more than enough about the man, but critics find that there’s “a fearsome power” in the way Gibney’s brought it all together.

Jun 30, 2025 — An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.

Sep 26, 2024 — The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.