The Killing

Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...

Aug 15, 2017 — The Toronto International Film Festival has announced the titles lined up for the Masters, Contemporary World Cinema, Wavelengths, and Primetime programs of its forty-second edition, running from September 7 through 17, and added more Gala and Special Presentations.Earlier rounds: The...

Aug 9, 2017 — New York. “Though Fire Island is the movie’s very recognizable locale, it is filmed in arcadianly remote aspects of sunlight, shade and water, and narrated simply on the solemn, picturesque, stark level of myth. . . . The world as...

Jul 17, 2017 — The Venice International Film Festival, whose seventy-fourth edition will run from August 30 through September 9, has announced that, on September 1, Jane Fonda and Robert Redford will each be presented a Golden Lion for Lifetime Achievement. This will happen...

Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Jun 12, 2017 — “As incredible as it seems,” write Cristina Álvarez López and Adrian Martin in the new issue of Sight & Sound, “Philippe Garrel, at the precocious age of 16, had already sketched most of the now familiar elements of his cinematic...

May 21, 2017 — So the idea here should be self-evident, but just in case: click a title to see the first round of critical response—reviews, interviews, video, and so forth—and check back now and again, as nearly every entry below is updated for...

Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

Jul 13, 2016 — The Oscar-nominated documentarian discusses Resnais’s film—made in 1955, ten years after the liberation of the Nazi concentration camps—which was one of the first to confront the devastation of the Holocaust.

Nov 6, 2015 — As part of the launch of the new French streaming video service La Cinetek—which was founded by the filmmakers Pascale Ferran (Bird People), Cédric Klapisch (Chinese Puzzle), and Laurent Cantet (Return to Ithaca), as well as Alain Rocca, president of...