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The Decline

Oct 22, 2007 Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.

Sep 28, 2022 A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Nov 19, 1989 Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...

Nov 27, 2018 With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Apr 21, 2022 In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...

Dec 2, 2013 With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

Feb 21, 2006 Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....

Oct 22, 2024 In his entrancingly deviant directorial debut, Harmony Korine captures life in an impoverished, tragedy-stricken small town in all its beautiful fragility.

Jun 17, 2019 Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...

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