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Phoenix

May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...

May 24, 2017 — “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...

May 19, 2017 — Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

Aug 11, 2016 — Gus Van Sant’s groundbreaking 1991 work of New Queer Cinema, which follows the relationship between a narcoleptic haunted by feverish dreams of his past and the rebellious son of a mayor, is showing at the George Eastman Museum.

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.

Oct 11, 2012 — Repertory PicksBAMcinématek in Brooklyn is looking back to the nineties for a celebration of the period in American and British independent cinema when a wide array of gay and lesbian artists built their own movement. The series Born in Flames:...

Sragow Takes a Bow

Short Takes

Sep 13, 2011 — Poignant news to pass along: our good friend and frequent contributor Michael Sragow has announced on his Baltimore Sun blog that at the end of this week, he will be hanging up his hat as a regular film critic. This...

Dec 1, 2009 — Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.

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