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Here We for Example...

Oct 25, 2022 One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

London 2022

The Daily

Oct 5, 2022 Highlights include new work from Chinonye Chukwu, Lars von Trier, Elegance Bratton, and Jerzy Skolimowski.

Aug 23, 2022 Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.

Over Time

The Daily

Jun 25, 2022 This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

Apr 29, 2022 This week swerves from the slick cinéma du look to the harshest punk noise.

Apr 25, 2022 During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...

Apr 21, 2022 In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...

Mar 28, 2022 Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...

Feb 14, 2022 The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.

Jan 31, 2022 What have the critics been saying about this year’s winners?

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