Eika Katappa

May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...

Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.

Jan 22, 2019 — The Forum will also launch new films by Dan Sallitt, Heinz Emigholz, Sofia Bohdanowicz and Deragh Campbell, and Thomas Heise.

Jan 4, 2019 — The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Dec 18, 2018 — Whatever your cinephilic interest—cinematography, acting, criticism—there’ll likely be a new book to take with you into the holidays.

Dec 14, 2018 — In this week’s round: Tarkovsky and Eisenstein, Godard and Varda, and one of the most consequential television programs of all time.

Oct 24, 2018 — The filmmaker behind the provocative indie hit Sorry to Bother You talks at Indiana University Cinema this week about a Paul Schrader masterpiece that has deeply influenced him.

Aug 31, 2018 — There’s a wistful sense of what might have been running through this week’s round of five.

Jun 7, 2018 — The Ukraine-based filmmaker saw her work lauded and banned.

May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).