The Criterion Collection
Erika Balsom is a reader in film studies at King’s College London. Her criticism collection The Edges of Cinema: Essays on Twenty-First Century Film Culture is forthcoming from Columbia University Press later this year.
The actor praises the honest and vulnerable performances in John Schlesinger’s films, shares how Klute awakened her love for film noir, and talks about why she keeps returning to The Mother and the Whore.
Features
Jun 4, 2018 — For the production design on Mishima: A Life in Four Chapters, director Paul Schrader turned to famed graphic designer Eiko Ishioka. The below images of her groundbreaking sets, as well as this excerpted text, first appeared in the 2000 book...
Feb 5, 2026 — In a collection of behind-the-scenes documentaries now playing on the Criterion Channel, legendary female performers assert their agency over their screen personae and find freedom in the glamour and artifice of their profession.
Aug 6, 2013 — Zola Jesus, née Nika Roza Danilova, is an internationally celebrated crafter of haunting electronic pop. She has released five LPs and a series of EPs. Her Criterion selections reflect her love for science fiction and the surreal. Her newest album,...
The Daily
Jun 15, 2021 — The publisher is launching Erika Balsom’s book on James Benning’s 2004 film and preparing a beautiful hardcover supplement to Apichatpong Weerasethakul’s Memoria.
The Daily
Sep 6, 2019 — In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.
May 19, 2016 — In the late 1950s, when Shindo chose to create a nearly dialogue-free portrait of a family living on a remote island, he was taking a great chance, putting the fate of his struggling production company Kindai Eiga Kyokai on the...
The actor, whose work includes Barbie and Bad Things, praises Luis Buñuel’s thorny explorations of desire, shares her Powell and Pressburger favorites, and shouts out the visionary costume and production design of Eiko Ishioka.