[REC]²

Annie Baker is a playwright living in Brooklyn. An anthology of her work, The Vermont Plays, is available from TCG. Her most recent play, The Flick, deals with movie love.

Giulia D’Agnolo Vallan is a New York–based film writer and curator, and U.S. programmer and selection committee member of the Venice Film Festival. From 2003 to 2006, she was the codirector of the Torino Film Festival. Among her books are...

Charles Ramírez Berg is a professor of film studies at the University of Texas at Austin. He has written extensively on film history, Latinos in U.S. film, Mexican cinema, and narratology. His most recent book is The Classical Mexican Cinema:...

Michael Almereyda’s most recent film, Tesla, was awarded the Alfred P. Sloan Feature Film Prize at the 2020 Sundance Film Festival. His previous films include Nadja, Hamlet, William Eggleston in the Real World, Experimenter, and Marjorie Prime.

Enno Patalas founded Filmkritik magazine in 1957. From 1972 to 1994, he served as director of the Munich Filmmuseum, where he was instrumental in the reconstruction of several classic films. His most recent books are Alfred Hitchcock and Metropolis in...

Colin MacCabe is Distinguished Professor of English and Film at the University of Pittsburgh. His most recent film production is The Seasons in Quincy: Four Portraits of John Berger (2015). His collection Perpetual Carnival: Essays on Film and Literature was...

Mark Polizzotti’s most recent books are Why Surrealism Matters and Jump Cuts: Essays on Surrealism, Film, Music, Culture, and Other Utopian Topics.

Dina Iordanova directs the Institute for Global Cinema and Creative Cultures at the University of St Andrews in Scotland. Her most recent books are Film Festivals and the Middle East (2014) and The Cinemas of Paris (2015).

Dore Ashton is an author and critic. Her books include The Delicate Thread: Teshigahara’s Life in Art; Noguchi East and West; About Rothko; A Critical Study of Philip Guston; A Fable of Modern Art; and The New York School: A...

Mark Le Fanu teaches film at University College London. He has written extensively about Russian and Japanese cinema. His most recent book, Believing in Film: Christianity and Classic European Cinema (Bloomsbury, 2018), has just been issued in paperback.