We Can Do That

Jun 22, 2022 — The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.

Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.

Nov 23, 2021 — First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...

Oct 19, 2021 — The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...

Sep 2, 2021 — Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.

Aug 4, 2021 — The Weeknd, Alice Rohrwacher, and Andrew Haigh set up new series; plus updates on series coming from Park Chan-wook and Olivier Assayas.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.