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Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.

Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.

Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.

Dec 21, 2023 — A retrospective dedicated to a titan of the Taiwanese New Wave opens in New York before heading to Los Angeles.

Dec 19, 2023 — Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.

Dec 13, 2023 — Through the ages, some tales have spread their seeds like trees, creating forests of imagination. Fairy tales often have that quality. But I doubt that Carlo Collodi, the author of the 1883 novel Pinocchio, would like his story to be...

Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.

Dec 13, 2023 — In June 2023—six months after the release of his Oscar-winning, stop-motion, antifascist-fable version of Pinocchio—Guillermo del Toro found himself speaking to an audience at the Annecy International Animation Film Festival. Teenage Mutant Ninja Turtles: Mutant Mayhem, an underground-comix-influenced, hand-drawn-looking cartoon...

Dec 12, 2023 — In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...