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High Time

Jun 23, 2014 Peter Davis’s provocative, Oscar-winning Hearts and Minds, released to the American public in 1974, is that rare documentary whose truths and relevance have been underlined and amplified by the passage of time. The title is derived from President Lyndon B....

Jun 20, 2014 Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.

Jun 16, 2014 Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

Jun 10, 2014 Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...

May 27, 2014 Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.

May 13, 2014 Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

May 6, 2014 This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.

Mar 28, 2014 By the time he made The Freshman in 1925, Harold Lloyd was already a superstar. His comedies, which combined jaw-dropping derring-do with loveable characters, were routinely among their years’ top box-office attractions. When Lloyd announced he was working on a...

Mar 24, 2014 Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Feb 28, 2014 Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

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