Fiction

May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

Apr 29, 2020 — Perched high above the spa town of Nebelsbad, amid the snow-capped Alpine peaks of the Republic of Zubrowka, sits a sprawling resort that in its old-world heyday served as the epitome of European luxury. For the historical caper The Grand...

Apr 28, 2020 — “Fuck! Fuck you fuck me fuck old people fuck children fuck peace! Fuck peace.”Miranda July shouts at her car’s steering wheel. With a black Sharpie, she scrawls FUCK in huge letters on the inside of her windshield. She drives. Sunlight...

Mar 27, 2020 — The cost to the Soviet population due to the war with Germany from 1941 to 1945 has not been definitively established; the best-circulated estimate, about twenty-seven million, is thought by some scholars to be low by many millions. Under Joseph...

Mar 17, 2020 — Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

Mar 11, 2020 — Two series, one on each coast, and an exhibition celebrate the work of the German filmmaker and photographer.

Mar 10, 2020 — Over five days, visiting artists from around the world will present their formally innovative work in New York.

Feb 25, 2020 — In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...

Feb 12, 2020 — Wes Anderson’s The French Dispatch now has a trailer; and Pedro Almodóvar and Dee Rees are lining up new projects.

Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)