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Sep 25, 2019 — Adam Driver and Scarlett Johansson star as a couple whose breakup turns nasty at the hands of “the divorce-industrial complex.”

Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.

Jul 1, 2018 — In one of Criterion’s earliest commentary tracks, Martin Scorsese and Paul Schrader talk about how they got lucky with their gripping New York City classic.

Jun 4, 2025 — BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.

Sep 27, 2011 — Award-winning British director Edgar Wright is best known in the United States for his feature films Shaun of the Dead, Hot Fuzz, and Scott Pilgrim vs. the World; he also directed the UK hit television series Spaced. For his Criterion...

Andrew Moor is a reader in film history and theory at Manchester Metropolitan University. He is the author of Powell and Pressburger: A Cinema of Magic Spaces and coedited, with Ian Christie, The Cinema of Michael Powell: International Perspectives on...

Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.

Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 18, 2026 — Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.

May 15, 2026 — This week: Super 8 films by Teo Hernández, a new feature from Patrick Wang, and a revival of Aloïse (1975), starring Isabelle Huppert and Delphine Seyrig.