The Criterion Collection
The Daily
Aug 2, 2017 — As Richard Misek explains in his introduction, the new “special issue of [in]Transition forms part of a collaborative project inspired by” the collection Indefinite Visions: Cinema and the Attractions of Uncertainty, edited by Martine Beugnet, Allan Cameron, and Arild Fetveit....
The Daily
Aug 1, 2017 — From Pittsburgh, where he’s currently working on Where’d You Go, Bernadette? with Cate Blanchett and Kristen Wiig, Richard Linklater—seen above directing Julie Delpy and Ethan Hawke in Before Sunrise way back in 1995—called into the Television Critics Association on Sunday,...
The Daily
Jul 31, 2017 — Jeanne Moreau, who appeared in over 130 films over a period of sixty-five years and was declared “the greatest actress in the world” by none other than Orson Welles, has passed away in Paris at the age of eighty-nine. She...
Jul 28, 2017 — A new 4K restoration of James Cameron’s Terminator 2: Judgment Day (1991), converted to 3D, is heading to theaters on August 25. Now James Wigney of the New Corp Australia Network reports that “Cameron says he is in negotiations to...
On the Channel
Jul 27, 2017 — Charlie Chaplin’s Monsieur Verdoux is one of the most unsettling comedies of its era and a brilliant showcase for his talent for mixing modes of comedic performance.
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
The Daily
Jul 24, 2017 — “It seems, at first, like an impossible caper,” begins Jordan Hoffman, writing for the Guardian. “Can Steven Soderbergh bring something new to the heist genre after his outstanding Oceans trilogy? The answer, as always, is to have faith in the...
Jul 24, 2017 — On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...
The Daily
Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...