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Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.

Jun 26, 2019 — Boasting the longest, most versatile career of any Czechoslovak New Waver, the late master made films mixed with deep compassion and an antiauthoritarian spirit.

Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Jun 20, 2019 — Film series around the world are making this year’s Pride Month especially loud and proud.

Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...

Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.

Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.

Jun 14, 2019 — Starting this weekend, Janus Films is putting Jennie Livingston’s extraordinary snapshot of Harlem’s drag balls of the 1980s back on the big screen.

Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...