The Criterion Collection
Short Takes
Oct 15, 2015 — Coming off the success of John, her latest acclaimed stage production, Pulitzer Prize–winning playwright Annie Baker is more in demand than ever.
Short Takes
Oct 9, 2015 — Agnès Varda keeps popping up in the most unexpected places.
Short Takes
Sep 21, 2015 — This week, veteran director Bruce Beresford joins the collection with Breaker Morant and Mister Johnson, two early twentieth-century period pieces about colonialism and its destructive legacies. Beresford (seen above on the set of Mister Johnson) has been making movies for...
Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.
Short Takes
Sep 11, 2015 — Laura Poitras has proven to be one of the most daring and necessary voices in contemporary documentary cinema with such works as The Oath and the Oscar-winning Citizenfour. So we’re excited to hear that she, along with her fellow documentarian...
Short Takes
Sep 3, 2015 — Wes Craven, who died this week at age seventy-six, was a horror master with few equals in contemporary American movies. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath...
Short Takes
Aug 25, 2015 — Bill Hader and Fred Armisen’s hilarious new IFC Channel show Documentary Now! started last week, and already we can’t get enough. Of course, it helps that the crackerjack comedy team (one of whom is an avowed Criterion fanatic) launched the...
Aug 10, 2015 — When they starred together in The French Lieutenant’s Woman in 1981, Meryl Streep and Jeremy Irons were not yet the movie icons we know them as today. Though Streep had already won a best supporting actress Oscar for Kramer vs....
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...