Von Richthofen and Brown

May 15, 2018 — Critics come down hard on this portrait of a serial killer, but the film does have its champions.

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Feb 7, 2018 — Looks like we all missed it. Most of us, anyway. Way back, December 27, Craig Hlavaty reported for the Houston Chronicle that Richard Linklater has been working on a film set in the summer of 1969. And not even quietly....

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Jul 25, 2017 — “So,” wrote Chris Marker in 2003, looking back on his school days, “with scissors, glue and crystal paper, I made a faithful copy of the actual Pathéorama reel. After that, frame by frame, I began to draw a series of...

Jul 1, 2017 — Adrian Martin has made a discovery that definitely needs passing along here, the digital edition of L’Atalante, Revista de estudios cinematográficos, the esteemed biannual journal published in Valencia, Spain. Several of the most recent issues are also available in English....

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Nov 17, 2015 — This week marks the first occasion of the Criterion Blogathon, a massive movie lovefest organized by the film blog Criterion Blues.

Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.