The Criterion Collection
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Essays
Jul 15, 2014 — Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.
Jun 9, 2014 — Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...
Feb 14, 2014 — Did You See This? • Restoring Foreign Correspondent • In contemporary epics, where’s the beef? • Lena Dunham tells all! • A palace to be reopened • Andrew Haigh’s upcoming marital drama • Reading into Rebecca • Jeanine Basinger on...
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Apr 9, 2013 — David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.
Sneak Peeks
Nov 19, 2012 — Legendary production designer Dante Ferretti is known to moviegoers everywhere for the elaborate and period-precise but fanciful worlds he has created for such films as Terry Gilliam’s The Adventures of Baron Munchausen, Neil Jordan’s Interview with the Vampire, and Martin...
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
Sep 27, 2011 — Internationally, Victor Sjöström is best known for his performance as Professor Isak Borg in Ingmar Bergman’s Wild Strawberries (1957). But behind that unforgettable face of old age is a younger man, a leading actor who was also the greatest Swedish...
Essays
Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...