The Criterion Collection
Aug 31, 2022 — The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.
The Daily
Jun 10, 2020 — As we remember the first African American to win an Oscar on her 125th birthday, HBO Max temporarily removes the movie she won it for.
The Daily
Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.
May 19, 2018 — The full list of awards and a look back at what many consider to be the strongest edition in years.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.
The Daily
May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.