The Criterion Collection
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Short Takes
Aug 13, 2016 — On the occasion of what would have been the Master of Suspense’s 117th birthday, we’re looking back on a selection of essays and videos that explore his inexhaustible oeuvre.
Interviews
Apr 18, 2014 — The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.
Jan 30, 2013 — The improvisational arts of filmmaking, jazz, and chili.
May 5, 2009 — Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.
Features
Mar 11, 1993 — Released the year before Close Encounters of the Third Kind and Star Wars, Nicolas Roeg’s terrestrial space opera is devoid of matte shots, models, or pyrotechnics, and it leaves us not wondering at the stars but grieving for ourselves.