The Criterion Collection
Nov 7, 2023 — By the end of the 1970s, everything had changed for Jackie Chan. He had cowritten, directed, and starred in The Fearless Hyena, which became the top-grossing Hong Kong film of 1979. His next project, The Young Master, would top that...
On the Channel
Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...
Essays
Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.
On the Channel
Aug 7, 2017 — On the anniversary of his birth, we’re celebrating Hollywood renegade Nicholas Ray with complete editions of three of his masterpieces on the Criterion Channel.
Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.
Essays
Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.
Apr 17, 2006 — Another movie, another cause célèbre: this mysterious film by Orson Welles has been dismissed as a disaster and hailed as a masterpiece.
Essays
Feb 19, 2001 — Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...
The Daily
Jul 30, 2024 — Tsai Ming-liang and Lee Kang-sheng will be on hand for a fourteen-film American Cinematheque retrospective.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.