The Apple

Feb 29, 1988 — Marx Brothers aficionados have argued for years over the relative merits of A Night at the Opera and the “purer” Marx movies such as Duck Soup. Certainly there’s no comparison on a point-by-point basis: Duck Soup is a classic of...

Apr 27, 2021 — The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.

Nov 16, 2017 — “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...

Mar 15, 2018 — In what Tim Adams, profiling Tacita Dean for the Guardian, calls “an unprecedented collaboration” between “three of the nation’s most prestigious institutions,” two exhibitions are opening in London today—Portrait at the National Portrait Gallery and Still Life at the National...

Jan 23, 2020 — The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Aug 1, 2017 — From Pittsburgh, where he’s currently working on Where’d You Go, Bernadette? with Cate Blanchett and Kristen Wiig, Richard Linklater—seen above directing Julie Delpy and Ethan Hawke in Before Sunrise way back in 1995—called into the Television Critics Association on Sunday,...

Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.