The Criterion Collection
Oct 28, 2014 — What you hear is as crucial—and as funny—as what you see in Tati’s films.
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.
Oct 15, 2007 — One of Spain’s most acclaimed and prolific directors, Carlos Saura emerged as an artist in the late 1950s under Franco’s dictatorship and immediately made his mark as an incisive, if necessarily allusive, social and political commentator.
Nov 23, 2021 — The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...
The Daily
Sep 9, 2021 — Critics find Kristen Stewart to be “both such a counterintuitive and oddly apt choice” for the role of Diana, Princess of Wales.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.
Features
Apr 7, 2021 — Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...
Essays
Mar 29, 1999 — Terry Gilliam’s Time Bandits was the most critically well-received children’s film in nearly two decades—and also the most challenging and rewarding fantasy-adventure movie since Alexander Korda’s The Thief of Bagdad, released forty-one years earlier. At the dawn of the 1980s,...
Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.