Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

Jun 22, 2020 Songbook At first it’s just one of many Fellini-esque dances: a band switches to an upbeat tune, Nino Rota’s “Caracalla’s (La Bersagliera),” and a previously dour party becomes an impromptu circle of ecstatic movement. Though overshadowed in La dolce vita...

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

May 26, 2020 Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...

May 12, 2020 In the early 1950s, director John Sturges, then under contract at MGM, read a condensed version of Paul Brickhill’s memoir The Great Escape, which details the mass escape of downed fighter pilots from the German prisoner-of-war camp Stalag Luft III...

May 4, 2020 “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...

Apr 3, 2020 Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...

Mar 31, 2020 Everybody loves Show Boat, but where is the love for the woman whose name alone sits above the title in James Whale’s dazzling 1936 film version? Edna Ferber was a best-selling novelist for decades, and in her peak years also...

Mar 18, 2020 People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...

Feb 5, 2020 Performances Judy Davis chomps softly into Naked Lunch: into twisted behavior, into the nuanced meat of the moment, into the juicy black center of the psychic abyss. Bombed-out but supernally alert and incongruously amused, she injects a syringe into her...

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