The Criterion Collection
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
May 31, 2022 — Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.
On the Channel
May 26, 2022 — Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.
The Daily
Mar 7, 2022 — Maggie Gyllenhaal’s first feature as a writer and director wins three top prizes—and praise from novelist Elena Ferrante
The Daily
Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.
The Daily
Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.