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On Board

Aug 4, 2003 Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.

Nov 11, 2002 A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.

Mar 19, 2015 The author recalls his encounters and correspondence with the filmmaker.

Feb 5, 2016 Today marks the birthday of French New Wave pioneer François Truffaut. In celebration of his incredible life and body of work, revisit a selection of essays and Criterion supplements dedicated to the brilliant filmmaker and cinephile: “The face of the...

Nov 11, 2002 Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Cyril Neyrat has served on the editorial board of Cahiers du cinéma and as editor in chief of the film journal Vertigo. His film criticism has been published internationally in periodicals, in catalogs, in collected volumes, and on the website...

Graham Greene on Sabotage

On the Channel

Dec 13, 2016 Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Oct 15, 2021 There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...

Jun 12, 1991 I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.

Aug 8, 2024 The monumental forty-film box set CC40 celebrates forty years of the Criterion Collection with an electrifying mix of classic and contemporary films, and presents them with all their special features and essays.

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