The Criterion Collection
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Jan 6, 2017 — Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching...
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
May 27, 2016 — The actor sits down to recount his experiences working on Altman’s film about an amoral Hollywood studio executive and discusses the agreement he and Altman made to ensure that the production would be truly independent.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
Aug 26, 2015 — Filmmaker Keith Gordon has directed the features The Chocolate War (1988), A Midnight Clear (1992), Mother Night (1996), Waking the Dead (2000), and The Singing Detective (2003), along with multiple episodes of the series Fargo, Homeland, The Leftovers, The Killing,...
Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.