The Criterion Collection
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
The Daily
Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.
The Daily
Sep 9, 2025 — Paul Mescal and Jessie Buckley enthrall critics with their portrayals of parents mourning the loss of a child.
The Daily
Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.
Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.
The Daily
Aug 4, 2025 — The Lovers on the Bridge (1991) is restored, a series is on in New York, and another heads to Austin.
The Daily
Jul 31, 2025 — Series celebrating a giant of American cinema are on in Boston, Chicago, Berkeley, and Los Angeles.
Jul 23, 2025 — The director of Female Perversions looks back on the film’s transgressive exploration of women’s sexuality and on Tilda Swinton’s role as a key collaborator.
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.
May 30, 2025 — The director discusses her path from neuroscience to cinema and the childhood memory that inspired her short August Visitor, a film about culture and intergenerational understanding.