Mar 18, 2017 The landscape of late-nineties American film culture found a loving chronicler in John Pierson, whose groundbreaking TV series Split Screen premiered on IFC in 1997 and now has its streaming home on the Criterion Channel. In this excerpt from the...

Feb 23, 2017 The week before Get Out opened to groundbreaking box-office success, we spoke with the director about the fine line between comedy and horror.

Happily Ever After?

On the Channel

Jan 9, 2017 The glittering surfaces of classic fairy tales often mask undercurrents of emotional torment, spiritual foreboding, and moral transgression. This week, our latest series on the Criterion Channel, Happily Ever After?, showcases the deviant forces lurking within some of cinema’s most...

Aug 14, 2016 While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

Jul 25, 2016 In his masterful reimagining of the story of John Smith and Pocahontas, Terrence Malick meditates on the nature of beauty and America’s path from innocence to experience.

Jul 14, 2016 On what would have been the director’s ninety-eighth birthday, we revisit a selection of essays, photo galleries, and videos that explore his iconic oeuvre.

Jun 14, 2016 Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Dec 15, 2015 Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”

Dec 9, 2015 With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.

Nov 4, 2015 In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

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