Sep 28, 2016 The “Pope of Trash” himself discusses his love for Russ Meyer’s signature style and the original music and retro visuals of his 1970 cult sensation.

Sep 23, 2016 Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...

Aug 5, 2016 The director returns to the big screen with our new restoration of his long-unavailable sophomore feature, shot in 1970 on a shoestring budget, which kicks off its national theatrical rollout with a run at New York’s IFC Center.

Mar 14, 2016 It’s been more than fifty years since the release of The Manchurian Candidate, and yet the Cold War thriller remains just as heart-stopping as it was at its 1962 premiere. In the film, set in the early nineteen-fifties and adapted...

Jan 20, 2016 Earlier this month, we lost Vilmos Zsigmond, the venerated Hungarian cinematographer. Not only was he one of the greatest directors of photography in the world—known for his influential work with Robert Altman, Steven Spielberg, and Brian De Palma, among others—Zsigmond...

Nov 25, 2015 Last week, when John Waters stopped by Criterion for a visit, we asked the cult filmmaker (and connoisseur of holiday entertainment) for his recommendations of the films we should be watching this holiday season. Naturally, he responded with one of...

Mar 11, 2015 Critics love to talk about modern auteurs in terms of their influences, and François Truffaut has never been an exception. For our release of The Soft Skin, out next week in Blu-ray and DVD editions, critic and filmmaker Kent Jones...

Sep 29, 2014 The great cinematographer Freddie Francis’s brilliant work on Jack Clayton’s chilling 1961 horror movie The Innocents is widely admired by movie lovers and professionals. For an appreciation of this film’s incredible visuals, we turned to cinematographer John Bailey (The Big...

Aug 18, 2014 The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.

Aug 11, 2014 In 1983, during the production of John Cassavetes’s Love Streams, journalist Michael Ventura was hired by Cannon Films executive Menahem Golan to make a promotional documentary about the company’s first Cassavetes picture. The result was the sixty-minute “I’m Almost Not...

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