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House of 9

Twin Peaks Returns

The Daily

May 21, 2017 Tonight, Sunday, May 21, 2017, Twin Peaks returns, just as Laura Palmer (may have) predicted it would twenty-five years ago, give or take. Eighteen one-hour episodes, all directed by David Lynch and cowritten with the show’s original co-creator, Mark Frost....

Aug 19, 2025 This month’s programming celebrates the centenary of the great American filmmaker Robert Altman, the career of Oscar-winning actor Jodie Foster, and much more.

Feb 18, 2025 HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.

Mar 6, 2020 Above photo: © Chuck Stewart Photography, LLCIn America, black musical genius has never been in short supply, though it hasn’t always been recognized or fairly compensated. Even a casual glance at the résumé of formally trained composer, producer, and arranger...

Jun 9, 2026 The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.

Jun 18, 2024 In this stylish erotic noir, Lilly and Lana Wachowski delight in destabilizing our genre and gender expectations, laying the foundation for the trans sensibility that runs through all their work.

Sep 17, 2024 With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.

Apr 17, 2024 Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.

Jun 16, 2017 The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

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