The Criterion Collection
Mark Harris is a journalist and film historian, and the author of Pictures at a Revolution (2008), Five Came Back (2014), and Mike Nichols: A Life (2021).
Alexander Stille is a professor at the Columbia University Graduate School of Journalism and the author of several books, three of them on Italian subjects: Benevolence and Betrayal: Five Italian Jewish Families Under Fascism; Excellent Cadavers: The Mafia and the...
Brian K. Vaughan is a writer of graphic novels and for television. He received five Eisner Awards for the comic book series Y: The Last Man.
Scott MacDonald is the author of the series A Critical Cinema: Interviews with Independent Filmmakers, now in five volumes, as well as seven other books about independent cinema, including, most recently, Adventures of Perception: Cinema as Exploration (2009). He teaches...
Neil Sinyard is emeritus professor of film studies at the University of Hull in the UK. He has published twenty-five books on the cinema, including studies of such directors as Billy Wilder, William Wyler, Alfred Hitchcock, Fred Zinnemann, Steven Spielberg,...
Nov 6, 2015 — As part of the launch of the new French streaming video service La Cinetek—which was founded by the filmmakers Pascale Ferran (Bird People), Cédric Klapisch (Chinese Puzzle), and Laurent Cantet (Return to Ithaca), as well as Alain Rocca, president of...
Short Takes
Jul 8, 2015 — Steve Blauner, one of the founders of BBS, the production company that produced Five Easy Pieces, The Last Picture Show, The King of Marvin Gardens, and more, died last month at age eighty-one. We were lucky enough to sit down...
Sneak Peeks
Jun 29, 2015 — The most famous scene in Five Easy Pieces—and perhaps one of the most fondly recalled moments of all of the New American Cinema of the early seventies—is the diner confrontation between Jack Nicholson’s volatile Bobby Dupea and a strict waitress....
Features
Jun 30, 2014 — The filmmaker’s recollections of the great producer.
Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...