The Criterion Collection
Essays
Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 An artist, critic, and scholar highly respected in his native Iran but too little known in the West, Bahram Beyzaie is a gifted autodidact of traditional and modern theater and performing arts, and...
The Daily
Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.
The Daily
Aug 25, 2020 — The NYFF presents its inaugural Currents lineup, and the Berlinale’s acting awards are going gender-neutral.
The Daily
Aug 24, 2020 — “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.
The Daily
Aug 20, 2020 — The one-of-a-kind actress gave us unforgettable performances in Days of Heaven and Out of the Blue.
Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...
The Daily
Aug 17, 2020 — Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.
The Daily
Aug 14, 2020 — Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.
The Daily
Jul 28, 2020 — Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.
Essays
Jul 15, 2020 — When I first saw The Lady Eve (1941), in my teens, I was certain I had never seen a comedy more perfectly constructed, a judgment that the subsequent decades have not revised. I had also seen none more acutely witty,...