We were excited to welcome author and TCM host Alicia Malone into the closet, where she offered up quick takes on Akira Kurosawa’s Ikiru, Nicolas Roeg’s Walkabout, and David Lynch’s Eraserhead.

The Oscar-winning writer-director of Anora shares his father’s favorite film, pays tribute to Chantal Akerman, and looks forward to revisiting Yi Yi.

Dukie

Features

Feb 23, 2012 Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

May 24, 2004 By piling on naturalistic details to keep the heat constantly in our minds, Akira Kurosawa creates a visual and behavioral excess that highlights the fixation of his hero on retrieving his stolen gun.

Ikiru

Essays

Nov 19, 1990 By facing death, Akira Kurosawa fashions an affirmation of life, characteristically clear-headed in its exploration of man’s fate.

Silvia Moreno-Garcia is the New York Times best-selling author of the critically acclaimed speculative novels Mexican Gothic, Gods of Jade and Shadow, Signal to Noise, Certain Dark Things, and The Beautiful Ones; the crime novel Untamed Shore, and the noir...

Nicholas Elliott has been the New York correspondent for Cahiers du cinéma since 2009. He is a programmer for the Locarno Film Festival and a contributing editor for film for BOMB magazine. His writing on film has appeared in Film...

Ivone Margulies is the author of In Person: Reenactment in Postwar and Contemporary Cinema and Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. She is the editor of Rites of Realism: Essays on Corporeal Cinema and the coeditor of On Women’s Films:...

Audie Bock is the author of Japanese Film Directors and Mikio Naruse: A Master of the Japanese Cinema, as well as the translator of Akira Kurosawa’s memoir, Something Like an Autobiography. She has taught Japanese cinema at colleges and universities...

Donald Richie has written widely on Japanese film and is the author of the seminal book The Films of Akira Kurosawa (University of California, 1965; revised 1998).

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