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A Fight for Love

Jan 25, 2018 Charlie Kaufman, pictured above at work on his last feature, Anomalisa (2015), with co-director Duke Johnson, “is set to write and direct a film adaptation of Iain Reid’s internationally best selling novel I’m Thinking of Ending Things for Netflix,” announces...

Dec 17, 2018 Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Apr 20, 1992 Tanya: Oh, James, James, will you make love to me all the time in England? James Bond: Day and night! Sean Connery returns in From Russia with Love in the best of all of Ian Fleming’s stories. Filled with sex,...

Nov 19, 1989 Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...

Dec 11, 2024 In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.

DOC NYC at Fifteen

The Daily

Nov 13, 2024 The country’s largest festival of nonfiction films presents 110 features this year, and nearly as many short films.

Jul 14, 2020 Bruce Lee seemed born to be on-screen. At three months old, he appeared as an infant in a Hong Kong movie called Golden Gate Girl (1941). After he died suddenly of cerebral edema in 1973 at the age of thirty-two,...

Dec 30, 2019 We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Le Million

Essays

May 15, 2000 In René Clair’s ebullient early talkie, an unsentimental love of humanity permeates every frame.

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