The Criterion Collection
May 3, 2018 — This morning Criterion.com went offline for a few hours, and we bid farewell to the version of the site that has been our sturdy home on the internet for more than a decade. The new site has been a labor of love,...
The Daily
Mar 15, 2018 — In what Tim Adams, profiling Tacita Dean for the Guardian, calls “an unprecedented collaboration” between “three of the nation’s most prestigious institutions,” two exhibitions are opening in London today—Portrait at the National Portrait Gallery and Still Life at the National...
Dec 17, 2017 — “He’s joking all the time if he feels he has an audience,” Barbet Schroeder said of Idi Amin in a 1976 New York Post interview.I think we know the type.Ugandan dictator Amin, the subject of Schroeder’s 1974 documentary General Idi Amin Dada: A...
The Daily
Oct 7, 2017 — We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...
The Daily
Sep 21, 2017 — The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...
Aug 3, 2017 — Mónica Delgado, José Sarmiento Hinojosa, and Ivonne Sheen of desistfilm recently “had a chance to enjoy lunch and a nice conversation with Austrian film maverick Peter Tscherkassky and American avant-garde filmmaker Eve Heller, one of the most talented couples in...
Jul 19, 2017 — “Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice. “In 1962 she co-founded the Judson Dance Theater, that exalted wellspring of experimental movement; a decade later, she...
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.