The Criterion Collection
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...
The Daily
Mar 14, 2022 — The Power of the Dog is now the clear frontrunner in this year’s Oscar race.
Feb 28, 2022 — Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
The Daily
Feb 14, 2022 — The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.
Feb 11, 2022 — The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.
Jan 12, 2022 — Gifted with the looks and suavity of a young Elvis, the “Wicked Game” crooner shares with David Lynch an obsession with 1950s Americana—and a knowledge of the darkness at its heart.