The Criterion Collection
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
The Daily
Nov 13, 2017 — Two of the most lucrative franchises in the history of franchises are being revamped, one for theaters, the other for home screens. “Star Wars: The Last Jedi writer-director Rian Johnson [above] has been set by Disney and Lucasfilm to write...
The Daily
Nov 12, 2017 — On November 4, almost a month to the day after Jodi Kantor and Megan Twohey reported for the New York Times on the accusations of sexual harassment and abuse leveled against Harvey Weinstein, Mark Harris tweeted: “Thing I've been hearing...
The Daily
Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.
The Daily
Nov 4, 2017 — With four each, Viktor Jakovleski’s Brimstone & Glory (image above), Matthew Heineman’s City of Ghosts, and Yance Ford’s Strong Island lead the nominations for the 2018 Cinema Eye Honors, founded in 2007 to “recognize excellence in artistry and craft in...
The Daily
Nov 2, 2017 — In the Village Voice, Bilge Ebiri looks back to the day in 1992 when, as a college freshman, he dropped everything, skipped his classes, and took a train from New Haven to New York to see a movie: Orson Welles’s...
The Daily
Oct 31, 2017 — In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...
The Daily
Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...
The Daily
Oct 26, 2017 — “The last we heard of Hayao Miyazaki’s new movie, pre-production was beginning as Studio Ghibli reopened its doors in August,” writes Zack Sharf at IndieWire. We don’t yet know much about the feature slated for a 2020 release other than...