The Criterion Collection
The Daily
Sep 2, 2020 — Festival directors join Venice head Alberto Barbera, who encourages the industry to get back up and running again.
Aug 3, 2020 — Songbook “You’ve probably heard that one before, but what the hell. If it was never new, and it never gets old, then it’s a folk song.” first spoken dialogue in Inside Llewyn Davis The coldest murder in the Coen Brothers...
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
Jun 23, 2020 — Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....
The Daily
Jun 15, 2020 — This month we’re looking at books on topics ranging from Japanese animation to Hollywood movie stars to jazz on the big screen.
Essays
May 27, 2020 — In John Cassavetes’s Husbands, the director, Ben Gazzara, and Peter Falk play Gus, Harry, and Archie, three middle-aged, middle-class suburbanites who come together at the funeral of their close mutual friend Stuart, and, united in grief, commence drinking together. And...
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
Production Notes
Apr 15, 2020 — 1.In 1944, after an intense bidding war, Twentieth Century-Fox studio head Darryl Zanuck acquired the film rights to Ben Ames Williams’s Leave Her to Heaven for $100,000, then an exorbitant price for an unpublished work. Later that year, Williams’s mystery...
The Daily
Mar 23, 2020 — The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.
Features
Mar 18, 2020 — People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...