The Criterion Collection
Essays
Nov 23, 1998 — Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
Mar 18, 2025 — This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.
Aug 22, 2024 — This year, Bologna’s annual feast of restorations and rediscoveries showcased one of the most ambitious masterpieces of the silent era, the melodramas of Japanese filmmaker Kozaburo Yoshimura, and other treasures of film history.
The Daily
Jun 27, 2024 — This year’s edition offers discoveries, restored classics, and plenty of star power.
May 20, 2024 — From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.
The Daily
Sep 1, 2023 — Stan Lee meets Alain Resnais, plus interviews with Molly Haskell, Babette Mangolte, and Manohla Dargis—and James Quandt on Jean Eustach
The Daily
Dec 23, 2022 — A roundup of holiday reading featuring Ingmar Bergman, Hou Hsiao-hsien, Damien Chazelle, Ernst Lubitsch, and Carolee Schneemann.
The Daily
Aug 10, 2022 — Selections range from award-winners in Cannes, Berlin, and Sundance to promising titles heading first to Venice and Toronto.
Features
Apr 21, 2022 — In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...