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Summer Travels

The Daily

Aug 7, 2020 This week we’re reading about Setsuko Hara, Satyajit Ray, Buster Keaton, Rita Azevedo Gomes, and Beyoncé.

July Books

The Daily

Jul 16, 2020 This month’s round features reviews of books on Jacques Tati, Kelly Reichardt, Terrence Malick, Jordan Peele, and many more.

Oct 18, 2019 Art-House America Like a number of theaters featured in our Criterion Channel series Art-House America, the Loft Cinema once faced the threat of its doors closing permanently. Born in 1972, and originally based in a small space near the University of Arizona, this...

August Books

The Daily

Aug 12, 2019 This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.

Apr 12, 2019 This week sees further remembrances of Agnès Varda, reflections on Godard then and now, and appreciations of a vital but too often overlooked filmmaker, Nelly Kaplan.

Dec 11, 2018 Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...

Mar 5, 2018 Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Feb 22, 2018 Luis Buñuel was born on this day, February 22, in 1900. “By 1961, Buñuel was born again, so to speak,” writes Jeremy Carr, having sketched the career from Un chien andalou (1929) and L'âge d'or (1930) through the years in...

Jan 26, 2018 We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatically disorienting experience that...

Jan 24, 2018 Deadline’s Patrick Hipes reports that NEON has just picked up North American rights to Three Identical Strangers, while CNN Films retains U.S. broadcast rights. “Tim Wardle’s documentary looks back at a human-interest story that captivated the world in the early...

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