The Criterion Collection
Mar 30, 2010 — The work of Pedro Costa has progressed in slow, measured steps, but each step has been a giant leap. His slowness is both the condition and the consequence of ethical standards he shares with precious few directors of his generation....
The Daily
Mar 21, 2025 — Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.
Jan 22, 2018 — “The last time Debra Granik had a film at Sundance, it was the masterful Ozark coming-of-age thriller Winter’s Bone, which won Oscar nominations and introduced the world to a certain young actress named Jennifer Lawrence.” Bilge Ebiri in the Village...
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
Short Takes
Sep 25, 2017 — Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.