[REC]

Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.

Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.

Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...

Jun 13, 2019 — She turned roles as women past their prime into her greatest triumphs.

Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...

Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.

Jun 10, 2019 — The new issue focuses on the impact of Alfonso Cuarón’s Roma, women’s film criticism, and Hollywood’s international productions.

Jun 10, 2019 — The growing presence of unabashed queerness in contemporary culture makes the past seem comparatively drained of it. But it was always there. There’s often a queer history that lies beneath our accepted mainstream hetero narratives. When excavated, these histories can...

Jun 7, 2019 — This week we revisit the work of Pawel Pawlikowski, Carlos Reygadas, Robert Mitchum, Hal Hartley, and Elaine May.

Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...