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Oct 24, 2013 — In 2004, actors Peter Falk and Gena Rowlands sat down in Rowlands’s home to discuss their landmark collaboration on John Cassavetes’s A Woman Under the Influence, in a conversation for Criterion. In the seventeen-minute dialogue, Falk (who died in 2011)...

Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Oct 4, 2013 — This fascinating first contact between Roberto Rossellini and Ingrid Bergman kicked off one of cinema’s greatest—and most controversial—love affairs.

Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.

Sep 24, 2013 — By the time Roberto Rossellini joined forces with the international superstar Ingrid Bergman in the late 1940s, he had already left an indelible mark on the history of film with his groundbreaking works of neorealism, including Rome Open City, Paisan,...

Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...

Who Is Alec Leamas?

Sneak Peeks

Sep 10, 2013 — Novelist John Le Carré created one of literature’s most fascinating characters in Alec Leamas, The Spy Who Came in from the Cold’s main heavy, who is on a final, fateful mission in East Germany. In Martin Ritt’s movie version, now...

Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.

Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.

Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.

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