The Criterion Collection
Sep 21, 2020 — After opening TIFF, this dynamic yet unobtrusive documentation of the hit Broadway show now heads to the NYFF.
The Daily
Jan 9, 2020 — The UCLA Film & Television Archive presents a series of films bearing aesthetic and political similarities to the Italian neorealist classics of the late 1940s.
On the Channel
Oct 18, 2019 — An intriguing paradox lies at the heart of Errol Morris’s body of work: while his films are driven by a relentless pursuit of knowledge and facts, they ultimately reveal cinema’s inability to capture a definitive version of reality. It’s this...
On the Channel
May 1, 2019 — A featured director on the Criterion Channel, Reichardt talks with critic April Wolfe about how the personal emerges from the political in her collaborations with writing partner Jon Raymond.
The Daily
Feb 21, 2019 — The Film Society of Lincoln Center’s series Neighboring Scenes spotlights promising new talents.
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
On the Channel
Oct 29, 2018 — Professor Jeff Smith breaks down how François Truffaut’s loving tribute to the crime genre Shoot the Piano Player uses anamorphic widescreen compositions to stylish effect.
May 13, 2018 — It was decades ago, during one of the bitterest Montreal winters of his youth, that the acclaimed author and essayist Adam Gopnik had one of the experiences that made him a cinephile for life. The movie theater right down the street from...
Visual Analysis
Jun 6, 2017 — The veteran documentary filmmaker behind Hoop Dreams and the recently released Abacus: Small Enough to Jail discusses the ways in which Robert Altman’s masterpiece combines epic scope with intimate detail.
Nov 18, 2016 — For Film Comment, Marc Walkow surveys the career of director Tomu Uchida, currently the subject of a retrospective at the Museum of Modern Art. Like many commercial Japanese directors of his era, Uchida has long been underappreciated in the West,...