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The Dead

February Books

The Daily

Feb 14, 2023 This month’s roundup opens with an appreciation of Preston Sturges and wraps with a book launch serving donuts and damn fine coffee.

Sep 27, 2022 New restorations of work by Pedro Costa, Kira Muratova, Jean Eustache, Edward Yang, and Claire Denis are set to screen in New York.

July Books

The Daily

Jul 19, 2022 Our midsummer books roundup opens with one sharp critique and one celebration of American popular culture.

Oct 15, 2019 After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Apr 17, 2018 The past couple of days have seen lineup announcements from Critics’ Week and Directors’ Fortnight, and of course, last week, the main event, the Cannes Film Festival presented the bulk of its lineup for the seventy-first edition running from May...

Mar 12, 2018 After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...

Mar 2, 2018 “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...

Jan 22, 2018 “The last time Debra Granik had a film at Sundance, it was the masterful Ozark coming-of-age thriller Winter’s Bone, which won Oscar nominations and introduced the world to a certain young actress named Jennifer Lawrence.” Bilge Ebiri in the Village...

Jan 22, 2018 The twenty-fourth annual Screen Actors Guild Awards were the big televisual event of the weekend, but let’s mention first that Guillermo del Toro’s The Shape of Water “took the top prize at the Producers Guild Awards on Saturday, an honor...

Dec 13, 2017 In today’s round, we’re looking not only at the most recent best-of-2017 lists and awards but also new additions to the National Film Registry, the Black List, and more. We begin with Film Comment, where contributors and staff have voted...

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